Seedance Video Scenes for Music Visuals

15-second 21:9 ultrawide cinematic brand film for Hailuo AI / MiniMax H3. Epic, rare, and unforgettable. Opening (0–4s): Absolute darkness. A single glowing particle of pure light appears in the center of the frame. It expands into a living, translucent neural lattice made of golden and deep-cyan energy threads. Camera slowly pushes through the lattice as it forms the shape of a human eye, then a camera lens, then a film frame. Mid section (4–11s): The lattice suddenly explodes outward in slow-motion into a hyper-detailed living world. We fly through sequential cinematic shots that transform in real time: - A still photograph of a lone samurai on a misty mountain becomes fully alive — wind moves his armor, cherry blossoms swirl, distant thunder rolls. - A product bottle on a table blooms into a full luxury commercial with liquid light pouring and reflections dancing. - A child’s crayon drawing of a dragon lifts off the paper and soars into a stormy sky with photoreal scales and fire. Every transition is seamless, fluid, and physically believable. Ultra-sharp 2K detail, perfect motion consistency, rich volumetric lighting, subtle film grain. Final 4 seconds (11–15s): The camera pulls back dramatically through the neural lattice as it collapses into a single elegant, glowing logo mark. Clean, modern typography fades in with perfect legibility: HAILUO MINIMAX H3 Subtle tagline beneath in smaller elegant type: “One model. Every modality. The world, simulated.” Visual style: Photoreal cinematic mixed with luminous sci-fi energy, high-contrast volumetric light, anamorphic lens flares, premium color grade (deep blacks, electric cyan & warm gold accents). Mood: awe-inspiring, confident, almost mythical. Audio (native stereo, perfectly synced): Deep sub-bass pulse at the start → rising orchestral swell mixed with crystalline digital textures and soft neural hums → powerful low impact when the world expands → final clean, resonant logo sting with a lingering ethereal tail. No voiceover. No logos except the final Hailuo / MiniMax H3 treatment. No extra text. Pure cinematic spectacle that feels rare, expensive, and made only for this model.

Create a 15 second photorealistic black and white cinematic film inside a modern high rise apartment on a soft cloudy afternoon. 16:9, 24 fps, natural window light, realistic film grain, deep shadows and calm indie film mood. 0 to 1.3 sec: Macro close up of a relaxed gloved hand. Fingers move slightly. 1.3 to 4.8 sec: Wide apartment shot. One adult calmly floats above the sofa, slowly drifting in zero gravity. Hair and clothes move naturally. 4.8 to 7.2 sec: Seen through a doorway, the same person gently drifts and slowly turns. 7.2 to 8.5 sec: Macro shot of a chrome faucet. One water drop forms and falls. 8.5 to 10.8 sec: Side view. The person continues floating calmly. 10.8 to 12 sec: Close up of a vintage flip clock showing 2:22. 12 to 15 sec: Wide final shot. The person floats near the windows in a relaxed seated pose, slowly rotating. Keep the same person, clothes, room and lighting throughout. No fantasy effects, danger, distortion, text, logos or watermarks. Add soft ambient electronic music, city room tone, one clear water drop and a quiet clock click.

THE AWAKENING — 15 second premium cinematic short film, 10 scenes, continuous escalation, Hollywood trailer grade, follow the attached storyboard reference exactly for the titan design, color palette and composition. Shot on ARRI Alexa 35, Panavision anamorphic 35mm lens, natural film grain, subtle anamorphic lens flares, teal and amber cinematic color grade, photorealistic, not CGI. Golden hour light, deep atmospheric haze. SCENE 1 (0.0-1.5s): Macro shot, espresso cup on marble cafe table, concentric ripples spreading in the liquid, silverware trembling softly. Camera: locked macro, slow 10% push-in. Motion speed: subtle, delicate. Shallow depth of field, creamy city bokeh behind. SCENE 2 (1.5-3.0s): Anamorphic wide, crowded crosswalk freezes mid-step, hundreds of faces tilting upward in unison, awe and disbelief. Camera: slow dolly forward at eye level. Motion speed: crowd movement settling from normal to near-still. Long golden shadows across the street. SCENE 3 (3.0-4.5s): Pigeons erupting from rooftop ledges between glass towers, backlit dust motes drifting through god rays. Camera: low angle tilt-up following the birds. Motion speed: 120fps slow motion feel, wings suspended mid-beat. Volumetric sunlight shafts. SCENE 4 (4.5-6.0s): Extreme macro, weathered ancient stone texture, hairline fractures spreading like glowing veins, molten amber light breathing through the cracks. Camera: slow lateral tracking along the fracture line. Motion speed: crack growth gradual and organic, heat shimmer rising. SCENE 5 (6.0-7.5s): Colossal stone eyelid grinding open, millennia of sediment cascading like miniature waterfalls, moss and ivy peeling away, ember orange iris with intricate carved ring patterns igniting. Camera: slow tilt-up along the face into the opening eye. Motion speed: heavy slow motion, immense weight in the eyelid movement. SCENE 6 (7.5-9.0s): Hero low angle from street level, monumental stone titan rising behind the skyline, sheets of debris falling in graceful slow motion, glass towers reflecting its silhouette. Camera: dramatic low angle, slow tilt-up with slight dolly back. Motion speed: titan rising slow and deliberate, debris at half speed. SCENE 7 (9.0-10.5s): Street level detail, gravel dancing on wet asphalt from deep resonant vibration, rain puddle reflecting the titan mirrored upside down, crowd stepping back slowly, phone screens raised and glowing. Camera: low tracking shot skimming the ground toward the puddle. Motion speed: real time with vibrating micro-motion. SCENE 8 (10.5-12.0s): Majestic mid shot, titanic shoulders breaching the cloud layer above skyscrapers, blazing sunset rim light tracing every carved rune on its body, a river of birds streaming past in formation. Camera: slow ascending crane move alongside the titan. Motion speed: clouds parting in slow motion, birds at natural speed for scale contrast. SCENE 9 (12.0-13.5s): Epic aerial drone pull-back with slow orbital arc, titan fully risen, the entire city reaching only its knees, rolling dust clouds glowing gold at its feet, clouds parting around its crown. Camera: wide drone orbit pulling back and rising. Motion speed: smooth constant orbit, dust billowing at quarter speed. SCENE 10 (13.5-15.0s): Final monumental wide, the titan slowly turns its burning amber gaze toward the horizon, city lights igniting one by one below like scattered stars, golden haze settling. Camera: locked wide frame with barely perceptible push-in, settling into near-perfect stillness. Motion speed: minimal, meditative, loop-ready ending. Movement: slow deliberate monumental motion throughout, immense weight and gravity in every gesture of the titan, debris dust and sediment in elegant slow motion, human reactions subtle and reverent, speed ramping from delicate micro-motion in scene 1 to monumental scale by scene 9, settling calm in scene 10 Camera: macro push-in, eye-level dolly, low angle tilt-up, lateral macro tracking, face tilt-up, hero low angle with dolly back, ground-skimming tracking shot, ascending crane, aerial drone orbit pull-back, locked monumental wide, all camera moves smooth and stabilized, motivated cinematic blocking Effects: volumetric god rays, molten amber glow through stone fractures, shallow depth of field with creamy bokeh on close-ups, deep atmospheric haze, teal and amber blockbuster color grade, sunset rim lighting, subtle anamorphic lens flares, natural film grain, seamless match-cut transitions between scenes, no text no watermark

CAMERA: Authentic MiniDV/DV 16mm camcorder handheld footage recorded entirely by CHASE herself. Every shot is filmed in selfie mode or first-person POV with natural hand shake, imperfect framing, delayed autofocus, occasional overexposure, clumsy zooms, slight focus hunting, accidental head cropping, and realistic camera mistakes. The camera always feels hand-held and personal, never stabilized or cinematic, and the camcorder itself never appears on screen. LOOK: Genuine early-2000s DV tape aesthetic with soft image quality, subtle motion blur, faint tape grain, light digital noise, blooming highlights, muted contrast, warm indoor white balance, realistic skin tones, slight chromatic aberration, and gentle exposure flicker, creating the feeling of authentic home-video footage rather than a polished production. STYLE: A quiet late-night dance vlog with a relaxed, intimate atmosphere. CHASE has just finished a long rehearsal and is physically exhausted but genuinely happy with her progress. Her breathing is natural, her laughs are spontaneous, and every moment feels unscripted and personal, as if she's casually updating fans before heading home. Character: CHASE is a Korean idol in her early 20s with long straight black hair tied into a slightly messy ponytail, a few loose strands framing her face, glowing skin with a light sheen of sweat, expressive eyes, and a slim athletic build. She wears an oversized long-sleeve athletic practice shirt, loose grey sweatpants, and white sneakers with no jewelry. Setting: A spacious dance practice studio late at night featuring wooden floors, a full mirror wall, a Bluetooth speaker in the corner, a water bottle, towel, and dance bag resting against the mirror, while the hallway outside is dark and quiet, emphasizing that everyone else has already gone home. Storyboard: (~2s, camera propped against the mirror, medium shot) CHASE walks into frame breathing heavily, wipes sweat from her forehead with the back of her hand, smiles naturally, and says, "Finally finished... I don't even know what time it is anymore." (~2s, handheld selfie) She picks up the camera, slowly pans across the empty studio and mirror wall before pointing it back at herself with a small smile. "Everyone already went home..." she says before quietly laughing. (~2s, handheld walking shot) She walks toward the wall, grabs her water bottle, takes a long refreshing drink, closes her eyes briefly, exhales, and smiles. "That tastes amazing right now." (~1.5s, macro insert with shallow depth of field) Close-up of condensation on the water bottle as her fingers wipe away the droplets while only her soft breathing is heard. (~2s, medium shot with camera propped against the mirror) She steps back into frame and performs a short, sharp dance combination with impressive energy before immediately laughing and bending forward while catching her breath. (~2s, handheld close-up selfie) Her cheeks are flushed, hair slightly messy, and she's smiling as she says, "Still messed up the ending... Tomorrow again." (~3s, arm's-length selfie while walking toward the exit) She drapes a towel over her shoulder, reaches to switch off the studio lights behind her, gives the camera one warm smile and a small wave, then softly says, "Good night... see you tomorrow," before reaching toward the lens to stop the recording as the footage ends with a subtle MiniDV tape glitch.

[REF] Start exactly from @Image1 Preserve the girl's face identity, twin-tail hairstyle, white dress, green sash, bench position, pond, mossy tree-window house, and soft sunlit fantasy garden. Only her motion, camera distance, light flicker, and glitch artifacts change. [SHOT] A sweet fairy-garden still turns feral and corrupted. The girl behaves like a cute possessed game character: too fast, too close, playful but unnerving, with digital stutter-glitches tied to her movement. [BEATS] 0.0-0.8 wide: she sits perfectly still, then her eyes snap toward camera; the garden audio drops out for one beat. 0.8-1.6 jump cut: she is suddenly standing on the bench, head tilted too far, hair and dress whipping a half-second late. 1.6-2.5 low track: she darts across the grass in three impossible speed-blur skips; the same green ribbon trail follows behind her. 2.5-3.4 extreme close-up: her face lunges inches from the lens, wide-eyed grin, one hand pressing near camera without touching it. 3.4-4.4 glitch tear: horizontal pixel slices split her face for a blink, then snap clean; her identity stays intact. 4.4-5.5 wide whip-pan: she appears by the pond, crouched on tiptoe, staring at her own reflection as the water ripples backward. 5.5-6.5 sudden close-up: she pops into frame upside down from above, filling the view, hair dangling, blinking too fast. 6.5-7.8 medium: she crab-steps backward across the flowers with doll-like precision, then freezes in a cute pose. 7.8-9.2 rapid cuts: three stutter copies of her flicker left, right, center; only the center girl remains real. 9.2-10.6 camera rush: she sprints directly into lens again, stopping at extreme close-up with one eye huge in frame. 10.6-12.0 final glitch hold: the image freezes, misaligns red/green/blue channels, then restores to her seated on the bench, now staring directly at camera. [CAMERA] Keep cuts sharp and motivated by her teleport-like movement. Use wide-to-extreme-close contrast, fast whip pans, and sudden lens-filling close-ups. [LIGHT] Sunlit garden stays bright and pretty; glitches create brief cold blue-green flickers across her face and the pond. [AUDIO] No music. Tiny garden ambience, abrupt silence drops, glitch clicks, cloth whip, fast footsteps, water ripple, one sharp breath-laugh near the lens. [LOCK] Do not change her outfit, hairstyle, face identity, body proportions, or garden layout. Glitches are overlays and stutters, not body deformation.

A futuristic special forces operative with short silver hair, tactical exosuit, carbon armor plates and twin combat blades, calm and focused expression - enters an abandoned subway station occupied by heavily armed mercenaries, camera gliding behind her through flickering lights and drifting smoke; - launches into close-quarters combat, seamlessly combining knife techniques, evasive rolls and disarming maneuvers while explosions ripple through the tunnels, handheld transitions alternating with elegant slow motion; - Defeats the final squad leader before a train crashes through the station, ending with her walking calmly through the dust as sparks rain from the ceiling Ultra-realistic tactical action, grounded choreography, cinematic lighting, practical VFX, blockbuster pacing.

45秒垂直短劇，9:16，電影感，高級奢華風，電影級光影。 場景： 頂級五星飯店總統套房，寬敞奢華的浴室，大理石與金邊裝潢，落地鏡、大浴缸、柔和晨光與暖燈交織，氛圍浪漫高級。 角色： 霸總：30歲出頭，高大英俊，身材挺拔，氣場強勢。 女清潔員：22歲，清秀漂亮，穿著飯店制服（白色襯衫+窄裙），戴著耳機。 風格： 電影級打光，淺景深，高級時尚質感，暖金色調，極致細節。 第一段（0-15秒）： 0-3s：總統套房臥室，霸總穿著深藍絨睡褲，一早醒來看到電子鬧鐘顯示09:00，瞬間皺眉連忙掀被下床。 3-6s：他隨手抓起白色睡袍，走向浴室方向。 6-9s：奢華浴室內，女清潔員戴著耳機聽音樂，專心用白毛巾擦拭金邊大浴缸，輕輕哼著歌。 9-12s：穿著白色睡袍的霸總推開浴室的門，準備要走進浴室。 12-15s：女清潔員背對他，彎腰認真擦拭浴缸。 第二段（15-30秒）： 15-18s：霸總站在女清潔員身後，微微愣住，眼神意外又帶興味地盯著她。 18-21s：女清潔員突然感覺到後方有人，摘下一邊耳機緩緩回頭。 21-24s：兩人四目相對，女清潔員嚇了一跳，手中的毛巾差點掉落。 24-27s：女清潔員臉頰微紅，慌張開口：「對、對不起先生！我以為套房沒人……」 27-30s：霸總低頭看她，嘴角微微勾起，低沉聲音：「沒關係……繼續。」 第三段（30-45秒）： 30-33s：霸總緩緩靠近一步，把女清潔員輕輕困在浴缸邊，眼神帶著深情。 33-36s：霸總低聲問：「這麼早就在這裡……是專門來服侍我的嗎？」 36-39s：女清潔員呼吸變亂，背靠大理石台，害羞又緊張地說：「先生……我只是清潔員。」 39-42s：霸總伸手幫她整理耳邊髮絲，聲音低啞：「現在開始，妳不只是清潔員了。」 42-45s：兩人臉靠得極近，眼神交纏，氣氛緊張，畫面緩慢拉近。

"PASSIONATE FEMALE ROCK VOICEOVER SINGING SONG LYRICS " FLUX THREE VS SEEDANCE TWO WHO IS GONNA WIN" Hyper realistic blockbuster cinematic 15 second action sequence in one true unbroken continuous shot, with no cuts, no morphing, and no scene transitions. A rally car races along a narrow alpine cliff road in bright cold daylight, escaping a falling avalanche and trying to reach a tunnel before the route is buried. The camera begins high above in a wide aerial view revealing snow peaks, sheer drops, and the winding road, then physically dives toward the car into a close tracking chase. It glides beside the doors, drops low near the spinning tires as snow sprays, rises overhead to reveal the avalanche rushing behind, then arcs outward into a high circling drone like view before descending again into a front facing backward tracking move. The shot remains seamless throughout as the car drifts around icy switchbacks, clips loose snow, and bursts toward the tunnel just ahead of the collapsing slope.

Create a crisp, clean infographic storyboard poster for THE LUNCHBOX MOM. Wide 16:9 layout, white background, black borders, bold black typography, premium Pixar 3D stylized rendering, bright warm colors — soft bread whites, vivid green lettuce, pale yellow cheese, pink turkey, orange carrots, deep purple grapes, warm golden morning kitchen light. Top header: THE LUNCHBOX MOM TOTAL VIDEO TIME: 12 SECONDS 8 SHOTS · QUIET · TENDER · MADE WITH LOVE Legend icons: ACTION, HEAT, TIME HINT, INGREDIENT Same Pixar-style young mom throughout — warm dusty rose t-shirt, hair loosely tied, soft kind face, cozy bright home kitchen, early morning light just coming through the window. CRITICAL: The lunchbox must be identical in every single panel it appears — same pink color, same size, same sections, same position. It must never change shape, color, or layout between any shot. 8 panels: Panel 1 — THE OPENER: Wide shot. The exact pink sectioned lunchbox sits closed on the kitchen counter. Mom's hands pop it open with both thumbs — lid clicks open revealing all empty sections inside. Same pink lunchbox, same sections, clearly established here so every subsequent panel matches it exactly. Early morning golden light floods the kitchen. Panel 2 — THE MUSTARD: Close-up. Two slices of soft white bread on the cutting board. All ingredients laid out visibly on the counter beside the board — mustard jar open, turkey packet, cheese slices, lettuce head. Mom spreads mustard across one slice slowly and carefully with a butter knife. The same pink lunchbox visible in the background, closed, same as panel 1. Panel 3 — THE BUILD: Medium shot with mom fully visible. She layers the sandwich on the cutting board — all ingredients still visible on the counter around her. Pink turkey placed first, yellow cheese folded over, then vivid green lettuce added last, leaves spilling over the edges. Green, yellow, pink all stacked beautifully. Same pink lunchbox visible in the background. Panel 4 — THE CUT: Close-up dramatic shot. Knife comes down diagonally through the sandwich in one clean confident cut — two perfect triangles separated, colorful cross-section of turkey, cheese and lettuce fully revealed. Green, yellow, pink all exposed on the cut edge. The most satisfying panel. Panel 5 — THE SANDWICH IN: Close-up overhead. The exact same pink lunchbox from panel 1 — identical color, identical sections, identical layout. Mom places the two sandwich triangles into the largest section, colorful cross-section facing up. All other sections completely empty — nothing else in the box yet. Just the sandwich, perfectly placed, waiting. Panel 6 — THE CHOP: Close-up side angle. Mom's knife chopping whole baby carrots on the cutting board — elongated like a toddler's finger, smooth and tapered, bright vivid orange. The knife cuts through them rhythmically, pieces falling to the side. A small cluster of deep purple grapes sits already washed beside them on the board. Two vivid colors side by side. Panel 7 — THE FILL: Overhead locked shot. The exact same pink lunchbox — identical to every previous panel, same sections, same color, same layout. Mom fills the remaining empty sections — chopped baby carrots placed neatly into one section, bright orange. Purple grapes carefully placed into another. Small juice box tucked into the last remaining section. Every section now full. Beautiful and complete from above. Panel 8 — THE NOTE: The hero frame and emotional landing. Close-up. The exact same pink lunchbox sits fully closed on the counter to one side — lid shut, complete. On the counter surface BESIDE the closed lunchbox, completely separate from it, mom's hand writes on a small square note card with a pen — a small heart drawn first, then the words "I love you. Have the best day." The note is being written on the counter next to the closed lunchbox, not inside it, not on the food. She will tuck it inside after. The last act of love before the morning box.

15-second ultra-cinematic sci-fi fantasy transformation sequence inside a colossal abandoned celestial cathedral floating in deep space. A lone human stands beneath enormous mechanical arches surrounded by ancient celestial machinery. Gigantic rotating rings, broken stained-glass windows, and forgotten angelic statues drift silently in zero gravity while distant stars illuminate the cathedral. The atmosphere is sacred, mysterious, and awe-inspiring. The camera slowly circles around the human as dormant celestial machines begin awakening. Soft white light pulses through the cathedral. Massive mechanical gears rotate for the first time in centuries. Tiny streams of liquid silver nanometal emerge from the cathedral floor and flow toward the human. The transformation begins. The liquid metal climbs across the body like living mercury, weaving seamlessly beneath the skin. Luminous white circuits spread through the arms, chest, and face like sacred veins. The camera pushes closer as elegant biomechanical structures form naturally around the skeleton. Carbon-fiber muscles, titanium tendons, and glowing energy cores replace organic anatomy while preserving graceful human proportions. The transformation accelerates. Intricate mechanical feathers emerge from the shoulder blades one by one. Thousands of articulated white-metal feathers unfold with perfect precision, each feather glowing softly with celestial energy. Golden halos composed of rotating mechanical rings materialize behind the head. Floating fragments of ancient technology orbit around the transforming figure. The cathedral responds. Gigantic celestial engines ignite. Beams of divine light pierce through shattered stained glass while floating debris begins orbiting the awakened being. At the climax, the human becomes a magnificent Biomechanical Angel , a perfect fusion of organic life, sacred technology, and divine engineering. Brilliant white wings span across the cathedral while luminous blue-white energy flows through every mechanical feather. Final cinematic moment: the Biomechanical Angel slowly opens both wings. Countless mechanical feathers release into space as radiant particles. The cathedral comes fully alive while the angel ascends through a colossal opening toward the stars, leaving glowing trails of celestial light behind. Style: ultra-cinematic sci-fi fantasy, biomechanical realism, celestial technology, photoreal nanometal transformation, articulated mechanical wings, divine architecture, volumetric god rays, white and gold aesthetic, premium cinematic VFX, AAA film quality, no text, no overlays. Audio: epic celestial orchestral score, angelic choir, deep mechanical resonance, servo movements, metallic feather articulation, divine energy hums, cathedral ambience, cosmic atmosphere, transcendent cinematic crescendo.

A cinematic live action sequence starting in a dimly lit gritty courtyard. A rugged warrior with dirt on his face meticulously grinds a thick wooden staff against a heavy stone wheel. Wood shavings and glowing sparks fly into the camera in extreme slow motion under a single shaft of natural sunlight. Suddenly the scene smash cuts to an explosive nighttime battlefield. A rapid fire cinematic montage of live action samurai warriors engaging in intense high speed sword fights. Massive bursts of practical fire and glowing orange embers explode from their clashing metal blades lighting up the dark foggy environment. Hyper realistic cinematic lighting with glowing particles swirling in the dark. Extreme close ups of the warriors with fierce determined expressions and sweat dripping from their faces. Dynamic sweeping camera movements spinning around the fast paced action. Shot on 35mm film with anamorphic lenses for natural lens flares and deep cinematic bokeh. Flawless photorealistic textures on armor skin and fire. Aspect ratio 16:9. Length 15 seconds. Seedance 2.0. Music prompt a heavy cinematic bass drop transitioning into a high energy orchestral rock hybrid with aggressive string staccatos and tribal war drums.

DETTOL — PROTECTED EVERY DAY Use all uploaded reference images exactly as provided. Maintain complete consistency throughout the entire video. Do not redesign, stylize, replace, simplify, or modify the mother's face, the daughter's face, the DETTOL soap, the DETTOL package, the bathroom, the lighting, the colours, or the environment. The original DETTOL logo, colours, packaging, and typography must remain completely unchanged throughout the video. The word DETTOL must always be spelled with two letters T. Never remove, replace, crop, distort, misspell, hide, or recreate the original DETTOL typography. The commercial must feel warm, natural, trustworthy, realistic, and family-oriented. Style: • Documentary-style commercial photography • Realistic skin texture • Realistic hands and fingers • Natural lighting • Natural colours • Soft reflections • Soft shadows • Minimal colour grading • Photorealistic appearance • Ultra-detailed • 8K quality Avoid: • Oversaturation • Excessive contrast • Beauty filters • Plastic-looking skin • Unrealistic reflections • Distorted fingers • Distorted hands • Artificial lighting • Excessive sharpening • Futuristic effects Aspect ratio: 16:9 Duration: 15 seconds ━━━━━━━━━━━━━━━━━━ SCENE 1 (0–3 seconds) A wide shot of the modern family bathroom. Soft natural daylight enters through the windows. The daughter enters the bathroom and immediately looks down at her hands. Her hands appear dirty from playing outside. She looks slightly sad, worried, and uncomfortable. The mother notices her expression and gently places a reassuring hand on her daughter's shoulder. The mother smiles warmly. The daughter looks up at her mother. The atmosphere feels warm, safe, natural, and authentic. The word CARE gradually forms from soft white foam. Typography instructions: • Soft white lettering • Rounded edges • Semi-transparent appearance • Smooth animation • Gentle fade-in effect • Clean appearance The word appears in the upper-right corner of the frame. Voice-over: "Care." ━━━━━━━━━━━━━━━━━━ SCENE 2 (3–6 seconds) An extreme close-up shot of the DETTOL soap bar and the DETTOL package. Tiny water droplets cover the soap. The original DETTOL logo remains perfectly visible. White foam slowly forms around the product. The camera slowly moves toward the package. The word PROTECT gradually forms from water droplets and soap bubbles. Typography instructions: • Deep green colour • Bold uppercase lettering • Smooth edges • Slight glossy appearance • Soft highlights • Clean commercial appearance The word appears in the upper-right corner of the frame. Voice-over: "Protect." ━━━━━━━━━━━━━━━━━━ SCENE 3 (6–10 seconds) The mother turns on the tap. Water flows naturally over her hands. She picks up the DETTOL soap. She rubs the soap gently between both hands. White foam gradually forms. The mother gently washes her daughter's hands. The camera clearly captures the foam covering the child's hands. The mother smiles warmly. The daughter gradually begins smiling. Water droplets fall naturally into the sink. ━━━━━━━━━━━━━━━━━━ SCENE 4 (10–13 seconds) The mother gently rinses her daughter's hands with clean running water. All soap residue and foam are completely removed. The mother's hands are completely clean. The daughter's hands are completely clean. No soap, foam, bubbles, or water should remain on either person's hands. The daughter looks at her clean hands and smiles proudly. The mother smiles warmly. The daughter raises her right hand. The mother raises her left hand. The mother and daughter gently complete a high five. The high five must happen only after both pairs of hands have been completely cleaned and dried. The camera clearly captures the high five. Their expressions should feel warm, natural, happy, and authentic. The mother gently brushes a strand of hair away from her daughter's face. The word TRUST gradually forms from tiny water droplets on the mirror. Typography instructions: • White lettering • Subtle green highlights • Elegant appearance • Soft reflections • Smooth animation The word appears in the upper-right corner of the frame. Voice-over: "Trust." ━━━━━━━━━━━━━━━━━━ SCENE 5 (13–15 seconds) Immediately after the high five, the camera slowly moves toward the DETTOL package beside the sink. The mother and daughter remain softly visible in the background. They smile naturally at one another. The DETTOL package remains the primary focus of the scene. The logo must remain completely visible. No text is allowed to overlap, cover, hide, or block the product. The final text appears in the lower-right corner of the frame. Display: DETTOL TRUSTED PROTECTION EVERY DAY Typography instructions: DETTOL • Deep green lettering • Bold appearance • Clean design TRUSTED PROTECTION EVERY DAY • White lettering • Soft fade-in animation • Elegant appearance Voice-over: "Dettol." "Trusted protection every day." ━━━━━━━━━━━━━━━━━━ Important instructions: The product is always more important than the typography. The typography must never cover the mother, the daughter, the soap, the package, the mirror, or the foam. The typography should occupy no more than 15% of the frame. The final result should resemble an authentic DETTOL television advertisement.